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THE KINEMATOGRAPH,Film,,This short film is brought to you in partnership with STASHMEDIA.tv Director: TOMEK BAGINSKI Production: PLATIGE IMAGE, POLISH FILM INSTITUTE Animation: PLATIGE IMAGE (www.platige.com) __________ Sign-up at http://Filterfoundry.com - the platform for artists & companies. For copyright questions, email: copyright@filterfoundry.com _________ Polish 3D powerhouse Platige Image continue to cultivate a steady stream of stunning short films alongside their regular commercial work. "The Kinematograph", a 12-minute work adapted from Mateusz Skutnik's comic of the same name, required 50 artists working for a year to bring the 18 characters to life on a renderfarm of 270 processors. Director Tomek Baginski: "I had just finished the short 'Fallen Art' when I got hold of Mateusz's comics. I took them with me to a two-day premarital class where I was not allowed either a computer or a mobile phone. Maybe because of the peace and silence this story made a huge impression on me. "'The Kinematograph' was almost a ready-made script for a short film. It had a great plot, an interesting beginning and a conclusion, and it could appeal to a bigger audience which I also try to reach. "Jakub Jabloski designed the characters which matched the film language and format perfectly. The world that he proposed, even though it referred to Mateusz Skutnik's art, took on the character of a colorful fable where warmth was met by melancholy." Jakub Jabloski: "We did not want the aesthetics to bring the viewer down, but to make the sad message of the story lighter. Everything was supposed to resemble a fairytale but at the same time not to be cartoonish or Hollywood-like. We wanted it to be associated with a puppet film. I designed the characters. The idea was that the background would refer to illustrations in a children's book. "The film takes place at the end of the 19th century, just a moment before the Lumiere brothers' invention. You can recognize the Victorian period, and even though the action supposedly takes place in England, the setting can be associated with many other places. "I did not want to copy the era but merely refer to it, so that it was clear. The stylization, some kind of lightness, fairytale atmosphere, a new style were more important. We wanted to create something nice and interesting, something that does not pretend to be something else." Toolkit 3ds Max, Blender, LightWave, Motion Builder, V-Ray, Wings 3D, Maya, ZBrush, Corel Paint, Paintshop Pro, Deep Paint, Photoshop, After Effects, Premiere
Tomasz Bagiński,The Kinematograph,Томаш Багински,кинематограф,видео,video,короткометражка,песочница
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