Инфа из 3-х рук, но сомневаться в этих руках не смею. Собственно текст:
"Our goal at ArtStation is to empower artists with tools to showcase their work. We have updated our Terms of Service to reflect new features added to ArtStation as it relates to the use of AI software in the creation of artwork posted on the platform.
First, we have introduced a “NoAI” tag. When you tag your projects using the “NoAI” tag, the project will automatically be assigned an HTML “NoAI” meta tag. This will mark the project so that AI systems know you explicitly disallow the use of the project and its contained content by AI systems.
We have also updated the Terms of Service to reflect that it is prohibited to collect, aggregate, mine, scrape, or otherwise use any content uploaded to ArtStation for the purposes of testing, inputting, or integrating such content with AI or other algorithmic methods where any content has been tagged, labeled, or otherwise marked “NoAI”."
Странно, что нейроарты не запретили, но в целом, я думаю этот вариант устроит каждого, кому не нравится, что их работы идут в нейронку. Это куда лучше, чем вариант "Отстёгивать художникам за использование их работ нейросеткой"
В честь своего десятилетия, Sudio FOW выпустила ролик, в котором анонсировала несколько новых фильмов и заявила о своем возвращении в лоно киноиндустрии.
Кроме этого, они также выложили крупное обращение на своем дискорд-сервере следующего содержания:
Dear Fowlings,Well, here are we. On this day ten years ago, two Doritos-encrusted neckbeards got up from their Source Filmmaker induced stupor, wiped the orange dust off their keyboards, and decided it was a good idea to release Lara in Trouble upon the unsuspecting world.
We toiled for probably around two months on that goddamn movie, trying to figure out how to make one broken thing interact with yet another broken thing inside a very broken attic environment. Nothing really worked as it should, everything seemed held together by jank and illusions. So it was with a mix of great trepidation (and a desire to be free of GabeN’s hell) that we decided that it was finally fit for release.
It was not, but you guys liked it anyway.
As yagskie and I finally put on our underwear and started scrolling through the comments we realized that there was a real hunger and demand for longer-form content. We knew that short, voice-less loops are no longer gonna cut it. And StudioFOW was born.
Ten years on, we have been through some shit, some good, some bad, but at the end of the day we’ve always kept one foot moving forward thanks to your support.
This has been the most incredible of journeys, and I could not be more thankful to all of you for allowing us to undertake it. The fact that the core team is still together here after ten years in such a crazy industry is a testament to how committed we are to delivering content for you guys.
2024 is a crossroads moment for us as a studio. As we finish our animation duties on Subverse (very soon), we have to decide what to do next with our careers. There’s a lot of new tech on the market, a lot of exciting opportunities. However, defiling waifus and making them ahegao in sheer ecstasy will always be our true calling. As such, the idle animators will slowly trickle back into creating film content. How much of it, and what kind of film content, will depend on YOU all. We have set up a Fansly dedicated to filmmaking as well as Throne for some more experimental content. You can support the studio through these platforms and get production going RIGHT NOW!
https:++fansly com+StudioFOW (вставьте "/" вместо "+" и точку на месте пробела)
We feel the same buzz and energy (even more so) now than in 2014, and with being out of the scene for a few years we cannot wait to get creative again and show ya’ll what we can still do.
To our collaborators/contributors – There are too many to list throughout these 10 years but everyone we’ve worked with, or added something to the movies, thank you for your contributions. I really want to thank people individually (maybe in a separate post) since this message is already too long and sappy
To the discord community – enjoy the celebrations! We’d love to hear your FOW anecdotes throughout the week. Favorite movie moments, scenes etc. I am sucker for stories about people meeting through online communities, and we have one of the best on the Internet, so if you have any juicy meetup stories please let me know!
There will be some fun stuff throughout the week such as the Pop Quiz for hardcore fans and other little events. And of course, we could not leave you all without a special video thank you in our very own style.
It’s been an honor to be your director for these past 10 years, and like Fow-Chan says, here’s to 10 more years of lewd adventures!
"This video is a collection of some of the work that went into creating the character of Revenant from an animation perspective. Of course, this only includes selected pieces of my work as it takes an entire team of animators, writers, modelers, tech-artists, sound designers, gameplay designers, etc etc in order to fully bring one of our legends to life!
Revenant has been one of my favorite legends to work on and I personally had a blast animating him as well as coming up with some of the early ideation that you will see in this video. A very important thing to understand is that not every idea is a good idea and just because something looks cool or intriguing is necessarily the right direction to approach so during the exploration phase its ok and encouraged to go wild with ideas and tests in order to know when we have gone too far and pull back. But if you never push the concepts to the limit, you may never reach that sweet spot that nails the character _
As an added bonus, I also crafter a little cartoon vignette to go with this demo. I hope you like it and I would love to hear your comments on the video particularly the early concepts. What caught your eye the most? what part did you see and wished it actually made it into the game. Drop me a comment if you can, they're always super fun to read! _