Farya Faraji
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Sons of Mars - Epic Roman Music,Music,epic roman music,ancient roman music,gladiator soundtrack,epic music of ancient rome,roman military march,roman chant,roman army chant,roman army march music,ancient rome anthem,epic music roman,epic ancient greek music,epic gladiator music,epic rome music,rome total war soundtrack,You can buy this song and my other songs here: https://faryafaraji.bandcamp.com/album/voices-of-the-ancients-vol-ii Composition and vocals by Farya Faraji. This song is just me having a bit of fun writing a Roman military march; I dedicated this to the channel Metatron, one of my favourite YouTubers who, as far as I'm concerned, makes the best Roman-related informative content on the internet; if you like Roman history and you don't know Metatron, you're seriously missing out. No deep historical value to this one--we know little about Roman music and even less about their military music. I limited the instrumentation to trumpets, drums and a kithara, which the Romans had, although I added cymbals which aren't historically accurate, and we don't know much about how they built melodies and played instruments, so this is mostly a modern piece with a Roman theme, nothing more. I used the Classical Latin pronunciation for the lyrics. Lyrics: Per aspera ad astra, Per ardua ad astra, Exurge Mars, Mars Ultor, Roma et Imperator, Viribus unitis, Semper fidelis! Sumus filii* Lupae capitolinae! English translation: Through hardships to the stars, Through adversity to the stars, Awake Mars, Mars the avenger, For Rome and the Emperor*, With forces united, Forever loyal! We are sons of the capitoline Wolf! *This is the correct way to write the word, the one in the video is erroneous. *I translated "Imperator" as "Emperor." Translating the word "imperator" is somewhat tricky—it didn't originally mean our definition of emperor, and was at first a military title. Generations into the era of the Empire, however, it had developped an almost exclusive association with the monarch of the state, which is why it took its modern meaning by the the time the Romance languages evolved out of Latin. I imagined this chant as being representative of Imperial soldiers, not Republican-era ones, which is why I translated it as "emperor." By the time we're deep into the Imperial era, soldiers would only mean the monarch of the state when saying "Imperator" with very few exceptions. For more info on the lyrics, check the bottom of my pinned comment in the comment section.
S.P.Q.R - Epic Roman Music,Music,epic roman music,spqr epic roman music,epic music of rome,gladiator soundtrack,ancient roman music,epic music of ancient rome,roman military march,roman chant,roman army chant,roman army march music,ancient rome anthem,epic music roman,epic ancient greek music,epic gladiator music,epic rome music,rome total war soundtrack,roma aeterna victrix march,aeterna victrix,roman army march song,roman song,You can buy this song and the rest of my music here: https://faryafaraji.bandcamp.com/album/voices-of-the-ancients-vol-ii Music, lyrics and vocals by Farya Faraji. Please note that this isn’t meant to be reconstructed Ancient Roman music, it’s modern music with an Ancient Roman theme. I did however try my best to incorporate the sound of Ancient Rome in it: the pronunciation I sang this with is the Classical Latin pronunciation—the reconstructed pronunciation system of the city of Rome from around 100 B.C to 100 A.D. The “bagpipe” like instrument heard at some points is the Greco-Roman aulos, these double flutes you’ve probably seen before in visual art of the era, and the instrument heard alongside it is an ancient lyre; both of these were commonly heard in Ancient Rome. The melody refers to the Dorian, Phrygian and Lydian Chromatic modes used in Ancient Rome. Sorry about the poor audio quality of this one, for some reason YouTube compression just hates this particular track. A higher quality version is available on Bandcamp.
Gaivs Ivlivs Caesar - Epic Roman Symphony,Music,epic roman music,epic roman ancient music,epic roman battle music,sons of mars,hymn of the legion,spqr epic music,epic battle roman music,epic music,epic roman orchestral music,Music composed by Farya Faraji. Gaius Julius Caesar needs no introduction—I was inspired to write a symphonic piece in movements about his early life and his rise to dictatorship of the dying Roman Republic. The point of this one was to get a symphonic format whilst emulating the music of Ancient Rome itself, and I incorporated instruments such as the lyres and the aulos, as well as their modes and scales, and Latin lyrics, while also using modern compositional techniques like chords, counterpoint, and musical trumpets, although trumpets did exist in the period though not strictly as musical instruments. Lyrics: Sumus tertiadecumani legio gemina, Sequimur aquilas quocumque nos ducunt, A barbara Galliae silva, Ad Galliam caliginem, Milites Caesaris procedite! Sumus sextus legio ferrata… (We are the Thirteenth, Twinned Legion, We follow the Eagle wherever it leads us, From the forests of barbarous Gaul, To Gaul’s misty hills, Soldiers of Caesar, forward! We are the Sixth, Ironclad Legion…) Gallias Caesar subegit, Gallos Caesar in triumphum ducit! (Caesar has defeated the Gauls, Caesar leads the Gauls in triumph!) Aut Caesar aut nihil, Hic abundant leones, Hic sunt leones, Alea iacta est! (Caesar or nothing, Here the lions abound, Here are lions, The die is cast!) Senatus Populusque Romanus! (The Senate and people of Rome!) 00:00 Youth - The Dying Republic 03:50 An Insignificant Governor 07:20 The Statue 08:00 Rise 11:00 De Bello Gallico 14:40 Rubicon 18:17 Civil War 23:20 Dictator Perpetuo
Hikanatoi - Epic Byzantine Music,Music,epic byzantine music,byzantine music,byzantine secular music,epic music,byzantine chant,psalm 135 byzantine greek chant,psalm 117 byzantine music,orchestral byzantine music,You can buy this song and all my music here: https://faryafaraji.bandcamp.com/track/hikanatoi Music and vocals by Farya Faraji. The Hikanatoi were an elite section of the Byzantine army based near Constantinople. They were founded in the 9th century and ended in the 11th. Please take note that this isn't actual Byzantine music, nor does it seek to be--it's modern "Epic" music which mixes a "film soundtrack" style with Modern Greek musical language to produce an image of Byzantine civilisation, not a reconstructive work. I don't claim any authenticity with this piece beyond a very general Greek and Byzantine "vibe," nothing more. For the pronunciation, I tried doing some research to reproduce the pronunciation of very Late Antiquity to Early Byzantine times--the "x" sound in "pataxadi" would have likely been a mix of "kz" instead of "ks", and the "ντ" cluster would have been pronounced literally as it is written, as a combination of "n" and "t" pronounced together instead of the modern hard "d" sound that you get in Modern Greek; I won't vouch for the utter certainty of that claim though, I might have been wrong. A pretty major anachronistic mistake I made however is in the phrase: ἐν Χριστῷ τῷ Θεῷ, πιστός βασιλεὺς καὶ αὐτοκράτωρ Ῥωμαῖων (en Christó tó Theó, pistós vasilèfs kaí aftokrátor Romaíon)--I've been delving a little too long into Classical Greek literature and pronunciation, and so my natural reflex was to pronounce "Romaíon" as it "Romayion," which is how it was pronounced in the Classical era of Socrates and Pericles. I later remembered that this pronunciation was already extinct by the 3rd century A.D, so keep that anachronism in mind, it's not accurate to any Byzantine era. Also the Latin pronunciation is all over the place, I think I just wasn't focused enough on that day, so some phrases retain Classical Pronunciation and others use Ecclesiastical. Transliterated lyrics and translation: To pataxadi basilis megalus, Alliluia! (To him who defeated great kings, Aleluiah!) Roma invicta, Roma aeterna, Roma caput mundi (Rome undefeated, eternal Rome, Rome capital of the world) Polataetiton vasileon! (Many years to the Kings) Vivat Imperator! (Long live the Emperor) In Christ, Emperor and Autocrat of the Romans
Dance of the Akritai - Epic Byzantine Music,Music,epic byzantine music,byzantine music,byzantine secular music,epic music,byzantine chant,psalm 135 byzantine greek chant,psalm 117 byzantine music,orchestral byzantine music,byzantine empire battle music,byzantine empire song,epic music of byzantium,greek music,epic greek music,epic ancient greek music,epic slavic music,slavic choir,bulgarian music,bulgarian choir,thracian music,epic eastern roman music,Painting by Dimitris Skourtelis, please check out more of his wonderful work here: https://youtu.be/sUayrf29Iik You can buy this song and the rest of my music here: https://faryafaraji.bandcamp.com/album/echoes-of-byzantium-vol-ii Music by Farya Faraji. Please note that this isn't reconstructed Byzantine music; it's modern Greek music with a Byzantine theme (the theme in this case being the Anatolic Theme, please laugh it's a good pun). I was inspired to write an instrumental piece about the Akritai, the border guards of the Byzantine Empire from the 9th to 11th centuries who defended the empire's borders in Anatolia against the enemy states of the Middle-East. With this one, I was more interested in providing a sense of realistic atmosphere and immersion than just music--I wanted to evoke some idea of the Akritai dancing together in their barracks, drinking and feasting after a hard day of battle on the soil of Anatolia. The Akritai formed the inspiration behind the Akritic songs--the oldest preserved Greek folk songs that revolve around the exploits of the empire's border guards, and foremost among these poems is the Diagenes Akritas, a cycle of epic poems about a half-Greek half-Saracen warrior of the Akritai, a figure which I plan to make a song about in the near future. Given that the Akritic songs have a strong presence in the folk music of Pontic Greeks, I decided to base much of this song's instrumentation around the Black Sea Kemenche, which is the Pontic Greek descendant of the Byzantine lyre; it's a very small fiddle instrument that is the central to the music of Pontic Greeks, and is used as the basis of group dances in circles within the Pontic community. The Black Sea Kemenche/Pontic Lyre might be the most appropriate and accurate instrumentation choice, as its ancestor, the Byzantine lyre, was used as early as the 9th century in the Byzantine Empire, and it's very plausible that the Akritai themselves might have danced to an ancestor of this instrument in their day and age.
The Fall of Constantinople - Epic Music,Music,epic music,fall of constantinople,byzantine music,epic byzantine music,epic turkish music,powerful music,roman music,epic roman music,epic ancient music,epic medieval music,epic orchestral music,byzantium music,epic music rome,rome music,rome total war soundtrack,greek song about the fall of constantinople,parthen i romania,roman empire music,roman empire epic music,byzantine empire epic music,Θά 'ρθεις σαν αστραπή,Πάρθεν η Ρωμανία,You can buy this song and more of my music here: https://faryafaraji.bandcamp.com/track/the-fall-of-constantinople A symphonic piece in three movements about the fall of the Byzantine capital of Constantinople—a tragic day to some, a glorious one to others, a historic day for the world. 00:00 Overture 01:44 The Dying Empire 03:00 The Ottomans Approach 05:55 The Cannons 06:42 The Battle 11:14 Rome is Fallen 14:53 A New Dawn
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