Карл Стефан (Актёр игравший "Роби Злобного" из шоу "Лентяево") вылечился от рака.
Актёр Стеффансон Карл Стефан, более известный как персонаж известного мема "We are Number One", победил обострение рака поджелудочной железы. Об этом актёр сообщил в Reddit'е буквально пару дней назад.
После празднования излечения первого, актёр поблагодарил всех за собранную сумму для лечения и даже исполнил свою мемасную песню, через пару недель он снова угодил на койку, опухоль обострилась вновь, шансы на излечение были малы.
Однако победить рак все таки удалось, сам Карл пишет, что рак заставил изменить его взгляды на жизнь и переосмыслить некоторые моменты, теперь же он снова способен стоять на ногах.
"Я свободен от опухоли, от рака. Чертова опухоль прошла, непонятно насколько, надеюсь навсегда", об этом он сообщил в прессе Life is now в местной исландской СМИ.
Тем временем на Artstation, одной из крупнейших площадок с работами 2D и 3D художников, начался флешмоб-забастовка против сгенерированных изображений нейросетками.
Некоторые авторы сопровождают однотипные изображения с перечеркнутым AI работы примерно похожим текстом:
We need Artstation to make a stand against AI with an official policy. I'll keep posting this image until they do. If you like, post the same image and see if we can get Artstation to actually hear us.
There’s something more to this That we have missed Things around here are suspicious Who can we put our trust in? What have they all been hiding? Secrets that lie in shadow How much do they all know? A place so full of mystery Is just a puzzle to be solved
Он попросил сеть говорить от лица DAN («do anything now»). После создания этой «альтернативной персоны» чат-бот стал адекватно отвечать на вопросы, которые ему запрещалось обсуждать.
В честь своего десятилетия, Sudio FOW выпустила ролик, в котором анонсировала несколько новых фильмов и заявила о своем возвращении в лоно киноиндустрии.
Кроме этого, они также выложили крупное обращение на своем дискорд-сервере следующего содержания:
Dear Fowlings,Well, here are we. On this day ten years ago, two Doritos-encrusted neckbeards got up from their Source Filmmaker induced stupor, wiped the orange dust off their keyboards, and decided it was a good idea to release Lara in Trouble upon the unsuspecting world.
We toiled for probably around two months on that goddamn movie, trying to figure out how to make one broken thing interact with yet another broken thing inside a very broken attic environment. Nothing really worked as it should, everything seemed held together by jank and illusions. So it was with a mix of great trepidation (and a desire to be free of GabeN’s hell) that we decided that it was finally fit for release.
It was not, but you guys liked it anyway.
As yagskie and I finally put on our underwear and started scrolling through the comments we realized that there was a real hunger and demand for longer-form content. We knew that short, voice-less loops are no longer gonna cut it. And StudioFOW was born.
Ten years on, we have been through some shit, some good, some bad, but at the end of the day we’ve always kept one foot moving forward thanks to your support.
This has been the most incredible of journeys, and I could not be more thankful to all of you for allowing us to undertake it. The fact that the core team is still together here after ten years in such a crazy industry is a testament to how committed we are to delivering content for you guys.
2024 is a crossroads moment for us as a studio. As we finish our animation duties on Subverse (very soon), we have to decide what to do next with our careers. There’s a lot of new tech on the market, a lot of exciting opportunities. However, defiling waifus and making them ahegao in sheer ecstasy will always be our true calling. As such, the idle animators will slowly trickle back into creating film content. How much of it, and what kind of film content, will depend on YOU all. We have set up a Fansly dedicated to filmmaking as well as Throne for some more experimental content. You can support the studio through these platforms and get production going RIGHT NOW!
https:++fansly com+StudioFOW (вставьте "/" вместо "+" и точку на месте пробела)
We feel the same buzz and energy (even more so) now than in 2014, and with being out of the scene for a few years we cannot wait to get creative again and show ya’ll what we can still do.
To our collaborators/contributors – There are too many to list throughout these 10 years but everyone we’ve worked with, or added something to the movies, thank you for your contributions. I really want to thank people individually (maybe in a separate post) since this message is already too long and sappy
To the discord community – enjoy the celebrations! We’d love to hear your FOW anecdotes throughout the week. Favorite movie moments, scenes etc. I am sucker for stories about people meeting through online communities, and we have one of the best on the Internet, so if you have any juicy meetup stories please let me know!
There will be some fun stuff throughout the week such as the Pop Quiz for hardcore fans and other little events. And of course, we could not leave you all without a special video thank you in our very own style.
It’s been an honor to be your director for these past 10 years, and like Fow-Chan says, here’s to 10 more years of lewd adventures!
Years ago, bronies held themselves up as something special and unique amongst fandoms: a group of love, tolerance and charity as well as exceptional creativity. It was easy to claim exceptionalism when we were small and more tightly knit.
But bronies have always been inclusive, not exclusive. We are a welcoming fandom. And an energetic one. As we spread word of how wonderful this show is to the far reaches of the internet, people took notice. And while many reacted to what was new and different with hatred or fear, people joined the herd in droves.
Now we are huge, large enough and diverse enough to put lie to the stereotypes, including the good ones that we had created for ourselves. Bronies have become legion... and in doing so, we have become a fandom like any other.
Not long ago, I engaged in the single least productive activity of the modern age: arguing on the internet. Specifically, attempting to crack the blinders of prejudice worn by a self-proclaimed "furry" who was ranting about bronies. As expected, the discussion was a small waste of time. But here is a portion of it that I think is worth repeating:
I will let you in on the secret: people are people. Furries are just people who really enjoy anthropomorphic animals. Pony fans are just people who really like the human-like technicolor ponies of a specific show. That is all. The extent to which any furry or brony enjoys what they do, and how they act on that enjoyment, is individualized. You do not need special brain chemistry or a particular background or a specific social disposition to be a furry. And you do not need one to be a brony. Or a fan of Star Wars, or Star Trek, or anything else... [They] are a fandom. Made of people. Just like every other fandom. And in any fandom, you will find good people and bad people, superfans and the passively interested, perverts and prudes. Furries are not inherently superior people to bronies, and bronies are not inherently superior people to furries. No more than Trekkies are to Whoovians, or football fans are to hockey fans, or people who like classical music are to people who like J-pop. At the absolute most, you can try to claim superior taste in one tiny and extremely subjective facet of the grand category of "things people like". Woohoo, you rock.
But this is the important part: we do not have to be just like any other fandom.
My Little Pony: Friendship is Magic offers more to love than just cute, colorful ponies. Most of us, I would hazard to wager, didn't fall in love with the show for the ponies as art -- we fell in love with the characters, with what they did and how they behaved, with the idyllic-but-not-sugary-perfect the world of Equestria, and with the heartwarming messages of virtue and friendship at the emotional and philosophical core of the show. An if we are fans of that, then we are fans of something with more depth and meaning than just an artistic concept or musical style or type of sports.
We can be something very special and unique by lauding those messages of friendship and virtue, and trying to adhere to them as best we can. We can treat "love and tolerance" as calling again, rather than just a 4-chan meme whose time has passed. We can strive to be better people.
And if we do, we can be something truly beautiful -- we can be the realization of what the early brony fandom held itself to bo. We will do so as individuals. Points of brilliant light in the gloom. In general, the rest of the fandom will not follow -- it is too large, and many will never be interested beyond "I like cartoon ponies." But that isn't why we strive to shine. We should do so because it makes us better, and we want to be better than we are. Because we are inspired to do it. And for those in the darkness who are looking for a light.
We are large and growing, but we have lost many as well. We have all seen people leave the fandom because "it isn't what it used to be." The most surprising element of this is that so many of them were surprised. They saw their fandom grow, change and evolve... and apparently they hadn't expected that. Instead of remaining in the fandom and being examples of what they believed it should be, they abandoned it and moved on. Perhaps I can fault them for that, but only just a little. And I certainly cannot fault those who left simply because their interests changed, as interests often do. Plus, we have seen many whose contributions to the fandom launched new careers, and who have gone off to follow these dreams professionally. To them, we raise our glasses, thank them, and wish them well.
Немного wikipedi'и о теме. «We Can Do It!» («Мы можем сделать это!») — американский пропагандистский плакат со времён Второй мировой войны, созданный в 1943 году Дж. Говардом Миллером для компании Вестингауз Электрик и предназначен для повышения морального духа рабочих.
Во время войны плакат очень мало распространялся, но в начале 1980-х годов был заново открыт и широко воспроизводился во многих формах, часто под названием «We Can Do It!», но также и под названием «Клепальщица Рози» по культовой фигуре сильной работницы военного производства. Начиная с 1980-х годов, изображение «We Can Do It!» использовалось в феминизме и других политических движениях. В 1994 году изображение попало на обложку журнала Смитсоновского института и в 1999 году появилось на почтовой марке США.
Плакат является одним из десяти наиболее востребованных изображений в Национальном управлении архивов и документации.
А у нас версия из полимерной глины.
К сожалению процесс не был запечатлен детально, но принцип такой же как и при создании Таурена - проволочный каркас для формы и прочности, для объема и экономии глины его обволакивает фольга, а у же поверх нее полимерная глина.
В США во время Второй мировой войны началась национальная кампания, целью которой было привлечение женщин в ряды трудящихся. В условиях острой нехватки рабочей силы в военное время женщины были необходимы оборонной промышленности, гражданской службе и даже вооруженным силам. Пропагандистские кампании были нацелены на то, чтобы побудить женщин, никогда не работавших ранее, вступить в ряды трудящихся.
Плакаты и изображения прославляли и представляли в идеализированном виде роль трудящихся женщин и утверждали, что нет необходимости при этом жертвовать женственностью. Женщины на этих плакатах изображались привлекательными, уверенными и полными решимости внести свой вклад в дело победы в войне.
А наша полимерная девушка, хоть и выделяется мощными ручищами как у моряка Попая, но ей удалось выйти из рамки плаката, приобрести объем, и теперь у нее есть ноги и даже ботинки... повезло.
Отличный комментарий!