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lllUVl^O k I» fad, <mc could | terms r,f in-run,' an«*' thei^^ tisdom atthe egpenu'of innoccn? irnnuice sy mp.iihctk* southern itturj Attic u*. Jin.-.bpc/MmrK ] lr#TwomfurfrV vvhot the world. tnoff Afticu« Ftn. int in if wnmeff rt*R>mfl Tit 1 ;;-.V (i »niouwofali lirnr^li the fiiiu J- <j(jiiir tip with |i1 a r-crossed Joraft- RomeojB lainmnd IL-ui Lund would« IT Imipjjft* Bjrgari • . / dfHy ejusr I m intr dd) (hevnsdvesf or kpM^t'iK*8»llolJ uf >LL ‘¿V aiered flj icu lately preserved in can hardly miss them sese's abrasive, unsparii e subject* ex-champion . The ruthless, in-**ra work. Robert De piled morphing into * a.»>. <i Ml yiAJ ■ s„ r.l- if,« i-fiHfioin ih. Jinx and 'i/ilf.-Jv i ..I,.- he flop«* >n*r is of 9 W benefit-« luhptatic Ute book acquiring Peck’spci (and 'ingf honour. ii and cvrrJ r>>le. yoi/1 with ,i [J 5w^ > greatest ever asked, ultimate then Rick perfectly. I sensatioi nobody. lW that continue memory of e, 6* RAGI ) Every element instant classic is in vicious vacuum Y< director Martin S assault on his real boxer Jake La Me* your-face B&W Niro’s method-pr, UMnttM. Ihr bloated monster I’Mfr th , ItntinnlnK to end ey MAD MAX 2 MUB1) ( There»«moreInIhbMiperbi»*/' >f (and Uie Krnndaddy of f Iw modern <■ than Mel Gibson’* ipmtin, under** ■>' Th»* pulse poundingdlrNtkMiof f ten» mailer» Ij\^ in M«ne(MMrufittm ttl‘1 destruction li a Ho pay* to nevrr and* Mud Mm / script has stood the oni of considering we. too. are living in no «» pe«u. i* seems to hinge on M «trppw*' > Australian filmmaking »1 its absolnt* S REAR WINDOW 96d) Any number of Mitchcorknn. place in a Iht like tin* let's go with f»< because of its simple effirtmty .»l a i thriller Once Jimmy Stewart’* clur,»» 1 telescope and takes a voyeuristic Intel j movements of his adghboufmHrti 1* tension Willi each pawn« mmulr P,y j incapacitated hem must look Wi a* In I KHly) Is trapped in a mom with a #irt|J edge of your sea! ts your only Mend I THE TOY STORY TRIl <1995.1999,2010) A remarkable achievement by PikjI Theplomrertngcomputer verier,it»l original ts still simply eye popping I sequel four yean later, many bclie-J nght, the bed animated film of .ill il three did not conft> along lor a noth high standards were nut permittee Toy Story trilogy takes everyone'» special place where it h playtime. J AVATAR (2009) Janies Cameron’s »pectaa follow up to Titanic created a wor PV«r seen on screen before There eatures and object» on display t;S ■fjjf^tlly *n its native MJenvinu the brink of their pr. *t see that*" descend* agi SCHINDLER'S U! directed try Steven SpiH ¥»t picture encapsulate orvaturr IniiMisMblenn' «Whelmed () THE GOOD, T» X- 8. THE UGLY Dno of the greatest western» ■ Italy of .ill pLuvs ( hnt l*^i»ti .ifurchyas ^he Man With forget that evomtive v.,n f 13! LAWREf 1962) lebote still rape btopic of the e
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